Via critical and creative writing from the UK, Europe, and Australia, and including the work of asylum seekers and refugees, issue 12.2 asks how postcolonial studies can engage with the particular kinds of narrative, disciplinary, and territorial crossings involved in claiming asylum.
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SHIRLEY CHEW & DAVID FARRIER
Fatma Durmush, Little Knowledge
Karim Haidari, Sigh of Exile
Prisca Chioma Okechukwu, By the Banks of River Asylum
Muli Amaye, Strike
Abir Hamdar, The Switzerland of the Middle East
Mireille Rosello, Refugee Aesthetics: Agency and Storytelling in Chris Cleave's The Other Hand and Fremde Haut
Emma Cox, Territories of Contact: Two Australian Asylum Seeker Documentaries
Agnes Woolley, Questioning Narrative Authenticity in Kay Adshead's The Bogus Woman
Sam Durrant, Reading Asylum: Tweyambe!
David Farrier, Reading Without Guarantees? Affect in Asylum Seeker Narratives
Parvati Nair, The Refuge of Photography: Perspectives on Asylum, Citizenship, and Belonging
Maggie O'Neill and Phil Hubbard, Asylum, Exclusion, and the Social Role of Arts and Culture
Roge Bromley, Policing Displacement: Narratives of Asylum in Escape to Paradise and La Forteresse
Sophie Nield, Space without Movement: Lefebvre and the Refugee
Claire Chambers, 'The Reality and the Record': Muslim Asylum Accounts
by Ian A. Dudley
NOTES ON CONTRIBUTORS